She showed her amusement. "They've a much better right to say it's none of mine." Fleda took her hand, and her clasp of it was a reiteration of a promise already given. She said nothing, but her silence was an acceptance as responsible as the vow of a nun. The next moment something occurred to her. "I mustn't put myself in your son's way."!

The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture! "Distinctly with the threat of enforcement—what would be called, I suppose, coercion."

CHAPTER II "Puts you in the situation of expecting that I shall do this thing just simply to oblige you?" When Owen and Fleda were in her father's little place and, among the brandy-flasks and pen-wipers, still more disconcerted and divided, the girl—to do something, though it would make him stay—had ordered tea, he put the letter before her quite as if he had guessed her thought. "She's still a bit nasty—fancy!" He handed her the scrap of a note which he had pulled out of his pocket and from its envelope. "Fleda Vetch," it ran, "is at 10 Raphael Road, West Kensington. Go to see her, and try, for God's sake, to cultivate a glimmer of intelligence." When in handing it back to him she took in his face she saw that its heightened color was the effect of his watching her read such an allusion to his want of wit. Fleda knew what it was an allusion to, and his pathetic air of having received this buffet, tall and fine and kind as he stood there, made her conscious of not quite concealing her knowledge. For a minute she was kept silent by an angered sense of the trick that had been played her. It was a trick because Fleda considered there had been a covenant; and the trick consisted of Mrs. Gereth's having broken the spirit of their agreement while conforming in a fashion to the letter. Under the girl's menace of a complete rupture she had been afraid to make of her secret the use she itched to make; but in the course of these days of separation she had gathered pluck to hazard an indirect betrayal. Fleda measured her hesitations and the impulse which she had finally obeyed and which the continued procrastination of Waterbath had encouraged, had at last made irresistible. If in her high-handed manner of playing their game she had not named the thing hidden, she had named the hiding-place. It was over the sense of this wrong that Fleda's lips closed tight: she was afraid of aggravating her case by some ejaculation that would make Owen prick up his ears. A great, quick effort, however, helped her to avoid the danger; with her constant idea of keeping cool and repressing a visible flutter, she found herself able to choose her words. Meanwhile he had exclaimed with his uncomfortable laugh: "That's a good one for me, Miss Vetch, isn't it?"